A story by Blue Wren (15 mins; read and/or listen).
Not being able to find a suitable myth to share for winter solstice, given the emplacing context of our lives in Djaara Country, as the longest night approached Blue Wren listened and opened, and in came this story. This offering was just one of many stories, poems and songs shared on the night of our community solstice celebration. We hope you enjoy this insight into our ceremonial night in our deep winter forest commons, held by Mother Country & Father Fire.
Once within a fairly timeless land, Mother Country and Father Fire ruled the earth-well worlds of the world. Wedded in exquisite union they lived harmoniously for all of days. Father Fire only a subtle disruptor, a gentle gleam in the dark, wet primordial forests of the Mother, and brought to earth by Grandfather Sun to warm, to illuminate and cook, to potash, and help make ceremony in the luscious belly of Mother Country.
One day Mother Country and Father Fire brought to life a new child, who they named Brother Eucalyptus. He grew out of the light, dusty potash of his father and the rich dark humus of his mother. He began life on the margins of great wet, shade-lit forests. Born a needy, troubled soul he soon began fighting with his siblings, especially Sister Southern Beech who ranged across her Mother with great presence. He felt unseen by his accomplished sister, and would often be found moping about on the rare scab lands of his mother.
His siblings, on the whole, found him crass and quite acidic, and they increasingly turned their backs on him, and from this grave wound of rejection he developed poison in his roots that he began to use on his Brothers and Sisters, releasing it whenever they came close. At first this didn’t matter too much, his territories were small compared with Sister Southern Beech. So, initially, no one really noticed, but gradually Brother Eucalyptus took more and more of his mother’s nutrients and life force and land for himself, and everywhere he grew the ground dried and hardened. He discovered that his inflaming disposition was conducive to making wildfire, and so he conspired to steal fire-craft from his father so that he could both poison and burn his overbearing sister and populate himself in her ruins.
One Brother, however, he could not poison or burn very well. Brother Blackwood – an inspired peacemaker – learned how to play companion to his greedy brother. Because Brother Blackwood could see his Mother suffering and depleted, he taught himself to swallow surplus quantities of nitrogen out of the air, plant himself next to Brother Eucalyptus wherever he was, and release the precious goods into his brother’s roots. Brother Blackwood taught Sisters Silver and Black Wattles to do the same, and soon they took away some of the burden off their mother. While this gift helped their mother to keep the cycles of living and dying rolling, Brother Eucalyptus continued to expand his range, causing ever greater drying and unruly fires.
For the first time in their long union, Mother Country and Father Fire began to argue. “I am the dark, Father Fire,” said Mother Country, “all the shade-filled forests, rich humus, subterranean springs, night countries and underworlds of my body enable more life to be lived. That boy is destroying me, stealing all my earth-givings. You have given him fire and he is burning all my beautiful daughters and sons. Enough is enough!” But Father Fire hadn’t given his errant son the magic and responsibility of fire. It had been stolen, like it had been stolen from Hephaestus, the industry god, by Prometheus in another world. In frustration Father Fire retorted: “Do not accuse me woman, I would not do such a thing! That boy is disrespecting me too; he is out of control!” And so went the argument for an age, backwards and forwards went their unhappiness. All the plants and fungi, the lichens, mosses, and lillies, the kestrels, wedgetails, fantails, magpies, wrens, ravens and robins, the brown snakes and black, echidnas, ringtails and owls, and all of life suffered as the parents warred, and Brother Eucalyptus continued on with his wound-rage.
Mother Country became weaker and weaker, Sister Southern Beech almost entirely disappeared, and neither of the parents could bring Brother Eucalyptus into alignment with life.
It was around this point in the story, the First People arrived. Gradually they learned to live within some of the world’s most depleted soils, and they thrived along the coasts due to the abundance of Grandmother Gaia’s many saltwater countries. After some time of listening, languaging and making ceremony, the First People began to better understand the familial feud between the great mother and father and their narcissist son. So everywhere they lived the First People dreamed with Mother Country and Father Fire and co-created rituals for deep listening and subsistence lifeways to live well with the communities of life so as to heal the rift between dark and light, heat and damp, the sacred feminine and sacred masculine, and in doing, bringing the parents of the land back into relationship.
And through this three-way alliance they developed the wisdom of fire-country land stewardship, which had the result of arresting the main harms of Brother Eucalyptus. The way the First People harnessed, respected and applied Father Fire to Mother Country, understanding each region of her in relation to fuel loads, air currents and zephyrs, ground moisture, and the propensity for potash to grow more woody life, deepened over time, and depending on where it was applied, the First People modified their practice, which brought abundance back into the belly of Mother Country. There was to be no significant return of Sister Southern Beech, and old Uncle Holly and Aunty Ivy had long since gone, but despite the morbid depletion of Mother Country, the communities of life that make life worth living began to live again, and people and plants, birds, snakes and pollinators, reptiles and marsupials developed new ways to live a good life among the scant humus and acidic soils.
Sure, there were usual human skirmishes between First Peoples, between different tribes and clans, men and women, but the unhappy colonial story of Brother Eucalyptus now guided all comers. He operated as a precautionary tale across the land. No one wanted to go back to the suffering when such total recklessness and selfishness reigned. So, for many millennia a tapestry of cultures and customs, languages and ceremonies were traded with life, with one another, and First People developed sophisticated lores pertaining to the laws of the mother and father, and a deep and abiding peace spread out across this first great era of energy descent. Even Brother Eucalyptus found some peace. It did not stop his over-taking, burning and poisoning ways, but he felt more himself in the bosom of life, rather than the sole destroyer of it.
Then, half a million new moons later upon the now spongey and rain-absorbing perennial-bread grasslands of the Mother, like a wicked spell unleashed to once again test life, wretched and trammelled First Peoples from northern lands began to arrive. The First People here came to refer to these malnourished and decultured folk as Second Peoples, because they could see they’d lost connection with their great mother and father, and therefore with the dark and the light in dynamic union. Tragically, the Second People didn’t realise how fallen from this grace they had become. They believed they carried the light better than anyone and they swore against the dark, were frightened by it, wanted to kill it off in any way they could. Their transported ideologies feared dark consciousness, feared the secreted mysteries of the divine feminine. These light-obsessed poor souls brought with them technics and poisons that were godlike and dangerous for such misshapen peoples to be playing with, and they brought an attitude of superiority, despite their wretchedness.
Much like in the early years of Brother Eucalyptus, they set out to dominate Mother Country, rob from her, and deplatform the ceremonial illuminations of Father Fire and the rich mother-bonded cultures of the First Peoples. Instead of opening with curiosity to the wisdoms of the earthly parents, they brought only one skygod with them who seemed to diminish the great Mother and her daughters. The Second Peoples had received their unilateral story delivered by the messenger, War-Brother Wheat, who had first come into presence when there were many gods and goddesses in the north who tended life. His affect eventually led to the stripping of animist cosmologies and to the development of horse-mobile armies of scale. Some Second People came to here in chains, some desperate to overcome poverty, some were what some call ‘free’, and some were mercantiles civil-ready to coordinate a mass exploitation of what some still call ‘resources’ – that is the gifts of the Mother.
Second Peoples caused untold suffering far worse than in the heady days of Brother Eucalyptus’s fury. For two hundred years most Second People found it hard to listen to Mother Country and Father Fire, they didn’t even consider it. Though some found them a novelty, they also didn’t listen to First People, and either didn’t look or joined in when First People were persecuted, debased and massacred. However, slowly and quietly Mother Country seeped her wisdom into the Second Peoples who lived in her – the farmers and hunters, the gardeners and gleaners, the swimmers of her dark snakey waterholes and the underworlders of her caves, remnant forests and bones.
Eventually the Second People felt the call to make rituals and ceremonies that honoured Mother Country and Father Fire, which derived from the gratitude they felt by living, and the sorrow they felt for the disrespect and war-mind their people had transported. They began quite naively by worshipping Brother Eucalyptus as pure and original and distinguished, despite the many new deserts he was making in other worlds at this point. And they, these well-intentioned folk, hated on the newcomer trees they’d brought with them such as fire-calming Brother Oak, who’d made immediate friends with Brother Blackwood and who brought alkalising, deciduous leaves to Mother Country to help her make humus and balance the acidic and depleting effects of Brother Eucalyptus. Likewise, another newcomer, Sister Hawthorn, brought the possibility of habitat for possums and rich medicine fruits for gang gangs and humans alike. Sister Willow was another brought to Mother Country, and who in their civil-centric guilt began to bulldoze and poison with impunity, as though they could cleanse the creeks and rivers of their forebears’ sins. This was before Second People realised the importance of Sister Willow as a nurse tree trying to restore gold- and livestock-ravaged waterways, and before remembering her gift as a basket tree when they began to walk back plastic bags.
As Second People started to turn away from Roundup-Ready War-Brother Wheat, and the other monocultures of the mind they’d transported, they began to walk with renewal and humility in their steps, alongside their First People friends and kin. One such ceremony they came together to perform was the winter solstice – the divine honouring of the feminine dark at Mother Country’s longest hour. At this ceremony they reflected upon the majesty of Mother Country – her givings, her wisdoms, her riches and her grace.
On the occasion of the winter solstice they, the people of the land, alongside Brothers Eucalyptus, Oak, Pine and Blackwood, and Sisters Cherry Ballart, Sweet Bursaria, New Holly and Hawthorn came together to sing, share story, behold the longest night and feast on the fruits and meats of Mother Country, while warmed and illuminated by the old glorious sunlight of Father Fire.
For this is a time for reculturing harmony and love between feminine and masculine, dark and light, both within ourselves and across the bodies and psyches of our kinship other. It is a time to make humus, make rituals of gratitude and return, and to honour Mother Country for all her gifts, and for teaching us how to heal from the wounds of war, and live and love alongside her within the many underworlding possibilities of her dark.
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Thanks to Jordan Osmond for the cover photograph and Catie Payne for the use of her microphone.
