Hello from our nestings by the fire, preparing for our community’s winter solstice.
We have some news! Happen Films has just released a trailer of their about-to-be premiered feature documentary, The New Peasants, based on our family and community. To some extent we feel a little exposed right now, as this film shares our life, including a very painful family story, to a much bigger audience. However, we are abundantly grateful to Jordan and Antionette at Happen Films, the composer Tommy Castles, and all the crew who worked on it, and we hope it inspires people in their journeys back to being land-bonded peoples in diverse, gallant, soft-hearted, hard-bodied ways.
Before we embed the trailer we’d like to share with you some of the key films that have inspired us along the way. Each film has a unique theme for us, and each has informed and helped us to journey on this path we call neopeasantry, or subsistence permaculture.
Reclaiming
The Babushkas of Chernobyl (2015) speaks to the resilience, meaning-making and determination of Ukrainian peasant women who stole back into their ancestral villages in the exclusion zone of Chernobyl, to live out their lives freely. Despite the toxicity of the land, many have been out-living their fellow villagers who have been existing in the sorrow of disconnection from their Mother Country, while the babushkas have their land-bondedness intact.
Making
The Nettle Dress (2023) is a story that integrates grief, beauty, craft and connection to the land. It shows what is possible by unplugging, living simply, and returning to a rooted, earth-conscious making. It gifts us an insight into how our ancestors laboured in hand crafts and how this ancestral technology is complimentary to living with pain and processing grief. This film exemplifies for us a permapoesis approach to life and culture; that is, a permanent meaning-making approach.
Salvaging
The Gleaners and I (2000) made by Agnès Varda reveals many forms of salvaging from the wastes of industrialisation, from food to other materials for life making. The filmmaker is not a passive voyeur extracting story from peoples usually unseen in capital-modernity, but a sleeves-rolled-up, camera as witness poet-anthropologist.
Communing
Honeyland (2019) is a film of interspecies relating and daughterly tending, detailing what pragmatic and earth-bonded love can be, in a depleted village biome. It is an example of slow cinema, of letting the story unfold, and empowering the subjects – Hatidze Muratova, her elderly mother, and the bees – to speak mostly by their doings. In the shadow of economic and personal hardships, and ecological ruination, Hatidze’s joy for the bees and the true gold and gift of honey, shines through in her eldership, and exposes the vulnerabilities of a desperate, smash ‘n’ grab mentality, a madness that incurs upon her life, which she attempts to understand.
Sovereignty
The Seeds of Vandana Shiva (2021) is an honouring of one of the most fierce warriors for the rights of peasants and food sovereignty, that is the agro-ecologist and permaculturist, Vandana Shiva. Not only a public speaker and advocate for a de-corporatised food system, Vandana walks her talk, setting up seed-saving initiatives that directly challenge the privatisation of the world’s food by the US agri-business hegemony and others who perform economic and environmental terrorism on indigenous, peasant and wage-slaved peoples of the world.
Healing
The Work (2017) is the radical story of compassion, healing and post-traumatic growth inside a US prison. A group of experienced community volunteers, experienced in men’s work, gather with a group of incarcerated men, who step inside a held circle of masculine vulnerability to discover their inner power, souls, and connection with one another. This film shows what is possible and reveals the necessary processes of deep listening, for the rocky future ahead.
Coercion
Schooling the World (2010) is an important critique of western education colonisation being rolled out by NGOs and other missionaries of empire. It reveals the continual patterns of colonial shaming tactics, which the west brings to land-bonded, peasant communities and shows how these missionaries disregard traditional, ecological and place-based knowledges. It examines how western schools are merely industrial-capitalist compliance factories, aimed at destroying diverse cultures in the name of ‘doing good’ and bringing so-called ‘backward’ peoples into the 21st century. In this intelligent telling and reframing of the global educational crusade, the film makers allow we western subjects of capital to reflect on the propaganda that has driven our civilisation, and in the process de-cultured and homogenised us.
Energy
The Power of Community (2006) is a seminal film for us. It marks both the beginning of our relationship (Meg’s and Patrick’s) and the start of our permaculture transition. When one of the film’s stars, Roberto Perez, came to our town hall to show it and to speak and field questions, we recall him saying on that night, ‘Grow your own food, catch your own water, say hello to your neighbour.’ We heeded his advice. The film details how Cuba responded to their oil taps being turned off due to the collapse of the USSR. From starvation to permaculture abundance, the film tracks the struggles and exposes the reality of life for all of us in an energy declining future. Although this film is nearly 20 years old, it still exposes the current energy blindness of the west, and allows us to step through it into life after cheap oil, as we descend further into that reality.
Stewardship
Fools and Dreamers (2019) follows the life of botanist Hugh Wilson, who with a small cohort of people and a patron, practices radical, low-impact land restoration in New Zealand. This is one of our favourite Happen Films, and Hugh is a true elder – clear-eyed, humble, caring, unfazed, resolute and determined. It is a film that shows how working with and listening to, instead of imposing ideology and big technics, can bring you into right relationship with Mother Country. Hugh’s method of healing trammelled country is largely about getting out of the way and observing what Country is saying by her doing. It also requires seeing out the critics and the judgements. This is a film for those interested in land management and land care in a post-industrial reality.
Medicine
Juliette of the Herbs (1998) is a film that gives deep insight into the medicinal wisdoms of author, mother and herbalist, Juliette de Bairacli Levy. It shows how herbalism is powerful medicine for land-bonded peoples and animals, and how this type of medicine belongs to a commons, shared mostly via feminine power. This inspiring film shines a light on our current era of extreme chronic disease, and how masculine-privatised medicine is seemingly ruining our health. Juliette’s book, Nature’s Children, is our first go-to text whenever there is a health issue in our household. Our family stopped seeing doctors 8 years ago, and Juliette’s life work has in part enabled this.
Subsistence
Pig Earth (1979) is a film by John Berger, based on his book of the same name. Berger lived with alpine French peasants in the 1970s and wrote about their lives, their culture and how modernisation was decimating their subsistence livelihoods by seducing peasants into debt to buy modern farm equipment. This debt was often the death knell for peasant economy, which was largely free from wage-slavery and bankers dictating the terms for life making. Berger’s critical examination of the hubris of modernity as experienced through the humility and humanity of land-bonded peoples of place, is an important story for the west, additionally because peasant agriculture still exists in Europe. While Berger is reporting the end of these lifeways in the 1970s, he probably underestimated the longevity of the energy bubble that has created what we call hypertechnocivility. Many of us will return to subsistence lifeways before too long, and Pig Earth is a nearby reach back to how most Europeans lived only a handful of generations ago. It certainly doesn’t perpetrate the myth that ‘peasants are only wretched, poor, diseased and stupid people’, and other such propaganda spread by capitalists and Marxists alike.
Emplacing
Reading Landscape (2023) is a film that documents the life practice of ecological thinker, permaculture co-originator, friend and mentor, David Holmgren. David’s unique way of seeing brings us back into appreciation for how our most skilled ancestors looked and understood the Mother. David sees with many overlaying lenses – geological, hydrological, technological, cultural and energetic, to name a few. He brings these lenses together into an integrated whole way of looking. He has taught his method for decades, helping others to skill up and be present to what is, in order to know how to work with, and be in relationship with, Mother Country.
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Without further ado, here is the trailer to Happen Films’, The New Peasants (2025).
We would love you share the top films that have most sung to you as you have prepared for a world with far less energy and wealth, but steeped in beauty and abundance.
