On the weekend we held two online Q&A sessions, each for an hour and a half. Here we share an edited version of that three hours.
We hope you enjoy this offering as much as we did co-creating it. A big hearty thank you to all who participated, and especially to those who asked such timely, goodly questions.
Listen to the audio version (1:19mins),
or watch the video.
A reminder we will be travelling with The New Peasants to Stanley, Merimbula, Canberra and Sydney in Gadigal Country, where Gadigal born elder and dear friend, Uncle Charles Davison, will be welcoming us all at the Dendy Cinema in Newtown.
One of our family’s homemade games, Neopeasant Revillaging, is featured in The New Peasants documentary.
Some who have seen the film have been asking about how they can also play it, so we thought we’d post this invitation to make your own version.
First, you take a Monopoly board – you know that infamous game that grooms children to become good little hoarding capitalists – then you hack it with images (scissors and glue required) that represent the world you want to lean further into, the world you want to more fully inhabit one day.
Here is our board hack, as just one example.
There are no rules, just one principle:
Everyone works together to defund the bank and redistribute the money to regrow the village in such a way that money becomes less and less central to our economic reality. What replaces money are our relationships with the living, sensing, giving worlds of the world. In other words, the more we regrow subsistence local resistance, the more our confidence develops to degrow big Finance dependancy.
This is in-effect the meta story of our bridging, transitioning lifeway, and is central to the story of The New Peasants.
Please share with us any games, hacks or life processes that you are currently excited by that you embody, or would like to embody more of in your life, which helps you change the narrative from scarcity-driven competition and greed to abundance, relationships and gratitude.
Hello from our nestings by the fire, preparing for our community’s winter solstice.
We have some news! Happen Films has just released a trailer of their about-to-be premiered feature documentary, The New Peasants, based on our family and community. To some extent we feel a little exposed right now, as this film shares our life, including a very painful family story, to a much bigger audience. However, we are abundantly grateful to Jordan and Antionette at Happen Films, the composer Tommy Castles, and all the crew who worked on it, and we hope it inspires people in their journeys back to being land-bonded peoples in diverse, gallant, soft-hearted, hard-bodied ways.
Before we embed the trailer we’d like to share with you some of the key films that have inspired us along the way. Each film has a unique theme for us, and each has informed and helped us to journey on this path we call neopeasantry, or subsistence permaculture.
Reclaiming The Babushkas of Chernobyl (2015) speaks to the resilience, meaning-making and determination of Ukrainian peasant women who stole back into their ancestral villages in the exclusion zone of Chernobyl, to live out their lives freely. Despite the toxicity of the land, many have been out-living their fellow villagers who have been existing in the sorrow of disconnection from their Mother Country, while the babushkas have their land-bondedness intact.
Making The Nettle Dress (2023) is a story that integrates grief, beauty, craft and connection to the land. It shows what is possible by unplugging, living simply, and returning to a rooted, earth-conscious making. It gifts us an insight into how our ancestors laboured in hand crafts and how this ancestral technology is complimentary to living with pain and processing grief. This film exemplifies for us a permapoesis approach to life and culture; that is, a permanent meaning-making approach.
Salvaging The Gleaners and I (2000) made by Agnès Varda reveals many forms of salvaging from the wastes of industrialisation, from food to other materials for life making. The filmmaker is not a passive voyeur extracting story from peoples usually unseen in capital-modernity, but a sleeves-rolled-up, camera as witness poet-anthropologist.
Communing Honeyland (2019) is a film of interspecies relating and daughterly tending, detailing what pragmatic and earth-bonded love can be, in a depleted village biome. It is an example of slow cinema, of letting the story unfold, and empowering the subjects – Hatidze Muratova, her elderly mother, and the bees – to speak mostly by their doings. In the shadow of economic and personal hardships, and ecological ruination, Hatidze’s joy for the bees and the true gold and gift of honey, shines through in her eldership, and exposes the vulnerabilities of a desperate, smash ‘n’ grab mentality, a madness that incurs upon her life, which she attempts to understand.
Sovereignty The Seeds of Vandana Shiva (2021) is an honouring of one of the most fierce warriors for the rights of peasants and food sovereignty, that is the agro-ecologist and permaculturist, Vandana Shiva. Not only a public speaker and advocate for a de-corporatised food system, Vandana walks her talk, setting up seed-saving initiatives that directly challenge the privatisation of the world’s food by the US agri-business hegemony and others who perform economic and environmental terrorism on indigenous, peasant and wage-slaved peoples of the world.
Healing The Work (2017) is the radical story of compassion, healing and post-traumatic growth inside a US prison. A group of experienced community volunteers, experienced in men’s work, gather with a group of incarcerated men, who step inside a held circle of masculine vulnerability to discover their inner power, souls, and connection with one another. This film shows what is possible and reveals the necessary processes of deep listening, for the rocky future ahead.
Coercion Schooling the World (2010) is an important critique of western education colonisation being rolled out by NGOs and other missionaries of empire. It reveals the continual patterns of colonial shaming tactics, which the west brings to land-bonded, peasant communities and shows how these missionaries disregard traditional, ecological and place-based knowledges. It examines how western schools are merely industrial-capitalist compliance factories, aimed at destroying diverse cultures in the name of ‘doing good’ and bringing so-called ‘backward’ peoples into the 21st century. In this intelligent telling and reframing of the global educational crusade, the film makers allow we western subjects of capital to reflect on the propaganda that has driven our civilisation, and in the process de-cultured and homogenised us.
Energy The Power of Community (2006) is a seminal film for us. It marks both the beginning of our relationship (Meg’s and Patrick’s) and the start of our permaculture transition. When one of the film’s stars, Roberto Perez, came to our town hall to show it and to speak and field questions, we recall him saying on that night, ‘Grow your own food, catch your own water, say hello to your neighbour.’ We heeded his advice. The film details how Cuba responded to their oil taps being turned off due to the collapse of the USSR. From starvation to permaculture abundance, the film tracks the struggles and exposes the reality of life for all of us in an energy declining future. Although this film is nearly 20 years old, it still exposes the current energy blindness of the west, and allows us to step through it into life after cheap oil, as we descend further into that reality.
Stewardship Fools and Dreamers (2019) follows the life of botanist Hugh Wilson, who with a small cohort of people and a patron, practices radical, low-impact land restoration in New Zealand. This is one of our favourite Happen Films, and Hugh is a true elder – clear-eyed, humble, caring, unfazed, resolute and determined. It is a film that shows how working with and listening to, instead of imposing ideology and big technics, can bring you into right relationship with Mother Country. Hugh’s method of healing trammelled country is largely about getting out of the way and observing what Country is saying by her doing. It also requires seeing out the critics and the judgements. This is a film for those interested in land management and land care in a post-industrial reality.
Medicine Juliette of the Herbs (1998) is a film that gives deep insight into the medicinal wisdoms of author, mother and herbalist, Juliette de Bairacli Levy. It shows how herbalism is powerful medicine for land-bonded peoples and animals, and how this type of medicine belongs to a commons, shared mostly via feminine power. This inspiring film shines a light on our current era of extreme chronic disease, and how masculine-privatised medicine is seemingly ruining our health. Juliette’s book, Nature’s Children, is our first go-to text whenever there is a health issue in our household. Our family stopped seeing doctors 8 years ago, and Juliette’s life work has in part enabled this.
Subsistence Pig Earth (1979) is a film by John Berger, based on his book of the same name. Berger lived with alpine French peasants in the 1970s and wrote about their lives, their culture and how modernisation was decimating their subsistence livelihoods by seducing peasants into debt to buy modern farm equipment. This debt was often the death knell for peasant economy, which was largely free from wage-slavery and bankers dictating the terms for life making. Berger’s critical examination of the hubris of modernity as experienced through the humility and humanity of land-bonded peoples of place, is an important story for the west, additionally because peasant agriculture still exists in Europe. While Berger is reporting the end of these lifeways in the 1970s, he probably underestimated the longevity of the energy bubble that has created what we call hypertechnocivility. Many of us will return to subsistence lifeways before too long, and Pig Earth is a nearby reach back to how most Europeans lived only a handful of generations ago. It certainly doesn’t perpetrate the myth that ‘peasants are only wretched, poor, diseased and stupid people’, and other such propaganda spread by capitalists and Marxists alike.
Emplacing Reading Landscape (2023) is a film that documents the life practice of ecological thinker, permaculture co-originator, friend and mentor, David Holmgren. David’s unique way of seeing brings us back into appreciation for how our most skilled ancestors looked and understood the Mother. David sees with many overlaying lenses – geological, hydrological, technological, cultural and energetic, to name a few. He brings these lenses together into an integrated whole way of looking. He has taught his method for decades, helping others to skill up and be present to what is, in order to know how to work with, and be in relationship with, Mother Country.
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Without further ado, here is the trailer to Happen Films’, The New Peasants (2025).
We would love you share the top films that have most sung to you as you have prepared for a world with far less energy and wealth, but steeped in beauty and abundance.
Last week we hosted a share house of five goodly youngtimers from the burbs of the city south of here. Max Roux was one of them. Max slung his camera over his shoulder as we forested, farmed, gardened, creeked, salvaged, ate, played, loved and listened to one another. This post is from the fruits of that connection and Max’s sleeves-rolled-up documentation.
Last year we were invited to contribute a chapter to the forthcoming book, Food for Degrowth: Perspectives and Practices, to be published by Routledge later this year. Although, let’s not count on anything like that occurring.
We called our chapter, ‘Replacing growth with belonging economies: a neopeasant response’. We completed it in November.
Due to the times we’re living we offer it here as a film. It’s our most significant collaborative writing project since our book, The Art of Free Travel. (If you’re a subscriber and reading this in your inbox, you won’t see the below video, so here’s a link to it).
Replacing growth with belonging economies
Lived, written and spoken by Patrick Jones and Meg Ulman
Text editing by Anitra Nelson and Ferne Edwards
Sound by Patrick Jones and Meg Ulman (assisted by Jordan Osmond)
Video editing and seven drawings by Patrick Jones (the second, third and fourth are in collaboration with David Holmgren)
Photographs and footage by Artist as Family, David Jablonka, Nina Sahraoui, Mara Ripani, Michelle Dunn, Thomas Dorleans, Michal Krawczyk, Giulia Lepori, Nicholas Walton-Healey, Ponch Hawkes, Gab Connole, Zac Imhoof, Anthony Petrucci, Jordan Osmond, Jason Workman, Ian Robertson and David Holmgren
Soundtrack: A place of simple feeding – a poem-recipe by Patrick Jones, arranged and performed by Anthony Petrucci
Gift Ecology Films
Shared under a creative commons license/non-commercial
an Artist as Family home production
Please let us know about your own transition from hypertechnocivility
Fire. One of the most significant phenomenons of this world. Fire makes us human, transports us into technological animals, transforms ecologies, and devastates life when we do not accept its uncompromising feedback.
The seven year old on the right in the below pic is Patrick, joined by his older brother Sam in 1977. They are on a camping trip with their father, Robert. On this night Robert (the photographer) lit a fathering fire after making a fire circle – an early rites of passage for his boys – and cooked a meal.
Four decades later Patrick and Meg light monthly fire circles and gather with community folk to listen deeply to one another and more-than-human life. Each circle, held within the Southwest community forest in the south of Djaara peoples’ land, starts with a listening to country. In an unprecedented time of fear, anxiety and aggregating bushfire cycles, these fire circles provide opportunities for collective reflection and care. And for transformation.
While a far greater acceptance and understanding of fire in Australia is required throughout the various non-Indigenous communities, there are things we can do to reduce bushfire risks.
For us, the most obvious things to mitigate bushfires have been to refuse air travel, boycott drought-producing supermarket products, and compost car ownership. Increasingly refusing drought-making economy and tools, has enabled an advancing of our form of neopeasantry, slowly transitioning over the past 12 years, making an immeasurable number of mistakes, which we’ve converted into an education, and a home.
Five years ago we began taking action in the forest near to us, on the edge of town in one of the most fire-prone regions in the terra-nullius-fiction state of Victoria. We work with neighbours and friends, transforming ourselves into community shepherds.
Our forestry practices marry bushfire mitigation with post-correct biodiversity values. Djaara people, First Custodians to this land, traditionally have managed their country through lores that maintain such a marriage. We’ve been organising community working bees to remove tyres from the creek,
plant trees,
and herd the most ecologically-sound weeders we know.
Above are a few of our co-op’s goats reducing weeds and bushfire risk at Daylesford Secondary College in the spring. Below are our goats carrying out guerrilla bushfire prevention on the edge of town this summer. Working with animals outside industrial-commercial relations connects us with our animal selves. We become dog and goat people.
Animals. Labouring with animals, being animals, eating and honouring them after fire has cooked up all those acres of medicinal fodder – blackberry, gorse, elderberry, broom, wild apple and oak – connects us to our ancestors and produces relationships of interbelonging between species and with land. To kill for food is sacred work. Whether we pull up a carrot or slit a throat. Souls are transformed. Life and death dance together to make more life possible.
There are always hierarchies, the question for us is whether the ideological order we subscribe to supports ecological hierarchy or mass-death hierarchy? The food we produce is some of the most nutritious money will never buy. Food that has been produced requiring almost no transportation fuels, no deforested pastures, no irrigation, no packaging or additives, and no industry-science laboratories.
Some of our walked-for food is produced by reducing the dominance of pioneer plants and their fire hazards, and in doing so moving ecological succession into the next phase to increase the number of species in the biome. The question of meat or not to meat is not a simply-packaged reductionist exercise, it’s an enquiry into ecological, cultural and economic functioning, or dysfunction, depending on what sort of consumer we are.
As ecological eaters and actors on Djarra peoples’ country, 100% of our manures – goat, dog, duck, hen and human – go back into the soil to make more life possible. This flow of goodly shit within a closed-cycle and walked-for poop-loop, gives to plants – the great converters of life.
Cultures that remove forests remove rain. Ingenious swidden agriculture grew Mayan cities and civilisation, for a while. As civilisations grow, increasingly more people become urban-centric and thus increasingly estranged from direct connection to land. Thankfully, all city-empires collapse. Ours will too. Cities represent the pinnacle of primitive thought, smugly bound up in ideologies of abstracted culture making, which inside the context of the city appear sophisticated and advanced. When such smugness reaches a tipping point cities collapse, the monocultures that feed the city return to forests or diverse perennial ecologies, rain returns, populations decrease, animism flourishes again.
Planting fire-mitigating, carbon-sequestering, shade-producing and moisture-retaining trees is now our emphasis. We’re being led by the trees themselves, oldtimer and newcomer species that have established their own inter-indigenous logic on Djaara country – blackwood wattles, English oaks, native ballart, wild apples, sweet bursaria, elder, holly and common hawthorn.
These forests make rain and they retard fires, while producing for us and countless others nourishing food, materials for habitat and more-than-human medicines that the Capitalocene will never access.
Food. There are well meaning people who are always trying to get us to scale up, put our food into a marketplace, subject ourselves to time-poverty, grow our art in capital-career terms, and generally get us to be more real in the realm of the Capitalocene. But what we do is modest, and we recognise that the scale must remain small, intimate, informal, flexible, and it must embrace uncertainty and constant change.
The market demands assurity, which in turn becomes a force against life. Assurity is essentially boring, so the transaction is a boredom in exchange for money, which can buy empty promises to fill the hollowness of modernity. While the spirit and ethic of what we do is free to grow, our household-community economy operates at a scale that enables ecological accountability and market degrowth. If the scale of everything is small, everything is novel, everyday there is a mosaic of labours, which never get boring.
We now know the origin stories of our food,
the medicinal properties of hundreds of plants.
how to turn raw materials into fermented wealth.
and many processes for making prebiotics, probiotics and postbiotics.
People. An increasing urbanised civilisation produces ever greater enclosure laws. Peasants are kicked off ancestral lands, forests are cut down, ships are built, people once bonded to sacred land become transported slaves who in turn find their way to freedom and join their equally traumatised jailers in dispossessing other indigenous peoples. For the Capitalocene is really the Traumaocene. Healing societal trauma begins with a consciousness of the ruptures and displacements and the severing off from connection to ancestral (loved) land.
While living our ethics and values is foregrounded in forest, garden and community biomes, the political work to protect what’s left of the Djaara commons is also important.
We are currently fighting our local council on their proposed revised local laws, which are effectively new enclosure laws being brought onto unceded Djaara peoples’ country, drafted by lawyers in Melbourne. One such local law seeks to ban open fires in a public place, on non-total fire ban days. As Patrick argues, this attacks ancient cultural practices. Other laws stop us from salvaging waste, or mitigating bushfire threat. The laws are supposed to make us safer, they often don’t. Five people have died in cars in our shire in less than one month and our council is concerned about someone cutting themselves on the metal piles at the local tips while salvaging the waste of the Traumaocene. Cars kill animals, people, poison waterways and stoke up the bushfire gods, yet they are the most protected machines of hypertechnocivility.
In effect the local laws drafted set institutional creep deep into unregulated social life, disabling the status of alternative economies, environmentalism and culturing. A bunch of us are running a campaign to stop this state interference of local governance. We ran a meeting, we put together a website and made submissions, which were recorded and shared publicly.
Then on Invasion day, January 26, we came together to ‘fess up to the legal fiction of Terra Nullius.
People make a difference. Four years ago council was livid we established the Terra Nullius Breakfast outside the Daylesford Town Hall, without a permit. If we had asked permission, or applied for a permit, we would have likely been refused. This year council reached out to be involved. We are not Libertarians, but we’re not compliant puppets either. We believe in strict lores. We do however baulk at Capitalocene legalism. People make a difference. Unregulated actions change the culture. We all have a role to play in reculturing society from pollution ideology to diverse modes of low-carbon living.
People make a difference. Showing up makes a difference. Grandparents make a difference!
Permaculture scholars and filmmakers make a difference!
Wise forest women make a difference!
People on bikes make a difference!
Walked-for regenerative energy makes a difference!
And forest children (who are Free to Learn and who will never know what NAPLAN means) make a world of difference!
Until next time, Dear Reader, we need to get back to the real work now…
For those wishing to come to one of our two next house and garden tours you can find more info here.
If you’re just beginning your transition and would like a non-monetary online course in permacultural neopeasantry, start at the beginning of this blog (2009) and read forward, then smash your device and get digging. Working the soil gets you high.
A special thanks to Giulia and Michal, doctoral students currently living with us and sharing knowledges, labour and love. All the better pics in this post are theirs. We love you both and we love living with you.
