Patrick had the great pleasure of speaking with Brigitte Kupfer on the day after our local winter solstice celebration, which Brigitte attended with her family. Meg says after listening to this podcast, “I feel like I’ve been in a warm bath.” We hope you’ll make some space for this beautiful yarn with mother-elder, post-academic sage, Brigitte Kupfer.
Listen here (1hr:5mins)
Below: a photo by Catie Payne of the winter solstice celebration, mentioned in the podcast.
In our latest video, Patrick shares a rich, long-form yarn with English artist, Joel Gray. Together they traverse the sticky, dominating, Promethean go-it-alone world of the machine, of the all-consuming Moloch. They arrive at a composting, cob-building place, restoring Pandora’s fermenting vessel, her Gaia place, her Mother Country – the entanglements and gossipy liveliness of tending the village seeds beyond transhumanism.
Links to Joel’s collaborative work are embedded in the video, plus other material from both his and our worlds. And, here’s a link to Joel’s initial comment that lead to this abundant connection.
We hope you enjoy this yarn as much as we did making it. Love and power to the brothers and sisters who are learning to dance with gut (Pandora), heart (Epimetheus) and mind (Prometheus) integration.
Here’s the audio-only version (1:34 mins):
And here’s the video:
As always, your comments and pitchforkings are more than welcome. But before we sign off we’d like to share a moment of Hephaestian crafting from Blackwood and his friend Django this week.
This week Patrick is guest on Tyson Yunkaporta’s podcast The Other Others, which went live yesterday.
In Tyson’s words this is an “[i]ntimate yarn between two friends from two different families, cultures and online communities who ended up in… let’s say incompatible algorithms, during Covid lockdowns, resulting in horrendously oppositional worldviews. Nothing we can’t sort out with a good yarn. Because a yarn is almost like a ‘conversation’ but without the bullshit. Nobody is ‘just asking questions’ in a yarn, because you talk from your relation, not your position. The end result is not a resolution, compromise or any of that crap. It’s… nah I’ll let you listen through and find out for yourself.”
In Patrick’s words: “Our yarn was a frustrating misfiring of truths and beliefs with love, brotherhood and cheekiness all wrapped up into one long moment of trust rekindling.”
We’re grateful for Tyson reaching out with curiosity. It was great to reconnect our families. There’s so much more Patrick would liked to have raised, such as, how we can speak about Russian disinfo without speaking American disinfo and bringing into the mix the Industrial Censorship Complex that’s sprung from various US colonialisms – media, military, medicine, etc. We are relieved, however, that Tyson sees the overprescription of pharmaceutical products as a real thing and that medical fascism is on the rise, although that topic was cut off with the practicalities of him having to leave for school pickup.
So here’s the yarn, unedited and as raw as it was co-created.
And from YouTube (we’re working on fixing CommonsTube):
Your comments and curiosities are always welcome, Dear Reader. Thanks for taking the time to engage with this post.
We had the pleasure of hosting Uncle Charles Davison, Jen Ridley and their youngest children, Minya and Yindi at the School of Applied Neopeasantry last week. Patrick, Jen and Charles made some room for a kitchen table chat for our podcast.
Jen and Charles’ inner strength and wisdom to respond to ongoing colonialisms within the sovereignty of family and community bonds while keeping a close eye on the continual threats and incarcerating mechanisms of white institutions and other colonial spaces that continue to contrive to enclose, limit and construct minds of scarcity and fear – is empowering to behold.
We hope you enjoy this conversation and you appreciate that Jen and Charles’ voices are not widely heard Indigenous perspectives within the highly conformed publishing environment of neoliberal media. We elevate them here in a spirit of a truer diversity and call for your deep listening.
In this podcast, recorded a month ago on her birthday, Meg reflects on the intimate, the big picture, and everything that stitches them together. We hope you enjoy this hour with Meg Ulman, chief executive witch at the School of Applied Neopeasantry.
Below is our accompanying drawing to this audio. The dotted line (in this series of drawings) represents transition, movement, or connection to both stories, the old one in the future other, or the integration of both to create a third reality in the very present. The dotted line plays with the oppositional, it acts as a permeable membrane between the so-called “real world” (of university medalists designing nuclear warheads, engineering viruses, sterilising food seeds, or calling heterodox thinkers conspiracy theorists while protecting state-corporate interests from scrutiny), and the imagined – the world we’re longing for, seeding into, and knowing the generational succession and resistance required to rebuild the village, while committing fully to the present moment to make that future possible, even in glorious futility and foolishness.
All power to the ones already moving to a more beautiful world our hearts, guts and minds know is possible. Much compassion to those wanting to move but are stuck or caught or entrapped by neoliberalism or something else. Keep wriggling your cuffs!
As always your comments are welcome, they give added spice to this place of story.