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A selection of our writings from 2009 to the present. If you'd like to keep up to date with our latest posts, please subscribe below.

Resistance Agriculture in Palestine (with Yara Dowani)

 

Meg speaks with Yara Dowani, a CSA farmer and permaculturist from the West Bank of Palestine. Yara tells of her journey from city girl to managing Om Sleiman farm, the continual challenges of producing nourishing food under occupation, and her hopes for Palestine.

Listen to the audio-only version (50mins),

 

or watch the video.

 

In their conversation Yara mentions the film Five Broken Cameras, which is set in the village near where Om Sleiman farm is situated. The farm is under constant threat of Israeli settler expansion, which you can see on the horizon in the below image.

 

Artist as Family is holding a solidarity raffle at each of The New Peasants screenings we attend to raise money for a water filter system for Om Sleiman farm. If you can’t make a screening but would like to donate, click here, then click One Time Gift, and in the field that says Name, please write down your name with Om Sleiman beside it. We’ll add this to the funds we are raising from raffle tickets sales. The raffle prize is two nights accommodation in our Permie Loveshack in southern Djaara country.

As a part Jewish household, we stand alongside innumerable Jewish investigative journalists and public speakers around the world (including, Antony Loewenstein, Aaron Maté, Charles Eisenstein, Gabor Maté, Max Blumenthal, and Katie Halper), who stand in solidarity with Palestinians and against the colonial and genocidal regime in Israel.

Enough is enough!

Big thanks to Yara and the other farmers at Om Sleiman farm for doing this work and so bravely sharing your story of resistance agriculture.

Hulled up in Darwin – thrift, theft and fish in the top end

When we walked through the gates of the Dinah Beach Cruising Yacht Association (DBCYA), we soon arrived at this little encampment,

and met Ray and his mate Ben. Ray is the brother of a friend back home in Djaara Country, and he kindly invited us to stay on his boat, which is ‘on the hard’.

Named after his sister who died from breast cancer, Crissy Anne is Ray’s steel hull boat, which he is working on in preparation to sail around the world next year. After we arrived, he invited us to join his local sailing cohort at the bar at DBCYA ,

where we spoke to many of the folk there of our desire to crew a boat over the drink to Timor Leste or Indonesia. We were advised to post our wish on the various yachting websites, and to put up a poster on the association’s notice board, which we did the next day,

coupled with doing some much needed washing.

The following days were spent adjusting to ‘Darwin time.’ We were a bit restless to explore this little city none of us had visited before. “Go slow and calm the farm,” Ray told us, and “drink a load of water first thing in the mornings.” We were still somewhat in our get-shit-done southerner harvest-season bodies, and we’d arrived to 32 degree celsius days with overnight lows of just 18. On our first day we walked a 6 km round trip to Mindil Beach Sunset Market, hoping for fresh produce. We got instead over-priced tourist food, though they didn’t skip on the sunset.

For we adults, while Woody sleeps, our morning tea ritual is a sacred time. Between Crissy Anne and the laundry, a large patch of Tulsi grows. A powerful herb of the subtropical regions of the world, Tulsi is a perennial basil and an adaptogen,

and a dear friend of the nervous system, especially in times of change and turbulence.

When Woody gets up, and has had his oat breakfast,

it’s time to get going. Our project on the third day was to go out to Ray’s other boat, Orfeo, which is moored in the harbour. Ray said we’d be welcome to stay on this old yacht, and help get our sea legs in preparation for crewing a boat. He suggested we travel back and forth to Orfeo by the canoe he was recently given. So we loaded up, and pulled and strained the old gal a few hundred metres,

down to the wharf, dropped the canoe into the water and left Meg on the landing, as we were concerned the load was already too heavy.

Patrick and Woody rowed over our packs, food bags and instruments, then came back for Meg. We all approached our new home with excitement.

While Woody fished, his parents cleaned up the galley and were settling in when it became evident that Orfeo was an ill-fated operation.

There were problems with the solar power system, so there was no electricity, meaning our perishable food was being cooked by the day’s heat collecting inside the boat. We tried to problem-solve with Ben by phone, but the multimeter was back on shore, and there was no way we could locate the problem. Then we discovered that the canoe was taking in water. Patrick used a cup to empty it and we repacked the little boat and rowed back to shore with our sea tails between our legs. We moved back into Crissy Anne and in the work area beneath her we lived, cooked, communed with Ray and his many friends, and in the quieter times Meg got some office work done for our dear friends and permaculture elders, David Holmgren and Su Dennett.

Patrick worked on Ray’s collection of bikes. We may not be sea savvy folk, but we are bike savvy.

Only one of Ray’s four bikes was in working order, so Patrick stepped into his mechanic body until they were all functional.

As soon as we hit the road on these cruisy contraptions, we began to feel more at home in Darwin. “You don’t get done for not wearing a helmet,” said Ben, “if you stick on the bike paths you’ll be fine. The cops have plenty of other things to deal with.” The cult of safetyism in Australia’s southern states was just not apparent here. Instead of KeepCups and lattés as the dominant cultural drug-milieu by day, it is stubby holders and beer up here, which creates a continual boozy social environment. For a family on bikes, we had to be vigilant.

The bike paths are numerous and the little city is mostly flat.

There were shouts of joy as we rode Larrakia (saltwater) people’s Country, and the warm wind whooshed over the stickiness of our skin. We explored fishing spots,

caught some lovely things such as Blue swimmer crabs,

and introduced ourselves to a shell fish we’d never seen before, and strangely couldn’t ID it.

We sat, reflected, listened and relaxed in saltwater Country,

and gleaned old line and tackle on the low tide, salvaging the useful parts and binning the potentially hazardous.

We caught a bunch of fish in the first part of the week we were in Darwin, but many of them were inedible (puffer and bat fish), or they were undersize (bream and trevally). The blue bike Patrick fixed, the best of Ray’s treadlies, was stolen from underneath Crissy Anne the night after it was back on the road. Alongside feeling relaxed here in Darwin, we have also felt an uneasiness; a discomfort.

After many conversations with locals it was becoming increasingly apparent that crewing a boat for a family of three with no sailing experience was a bit of a pipe dream. We were generously offered a passage to Indonesia with Sleepy Dave, but he isn’t going until August. India is calling.

Ray is a yacht race referee in Darwin. He presides over the organisation of a number of races and he told us many sailors stay in Darwin over the dry season to join these events or repair their boats.

Ray has been so generous, going out of his way to help us while in we’ve been in Darwin. But, having inhabited the belly of Crissy Anne for several days,

we don’t want to overstay our welcome. With a fair amount of reluctance we booked a short flight to Dili in Timor Leste, 720 kms away. For a little more we could go all the way to India, but that’s not the point of this trip, to travel so fast. Meg and Patrick haven’t been overseas for twenty years, and Woody never has. We were really hoping we could do it without flying. From Dili we intend to continue northward, island-hopping towards India. Now we’ve made that decision we have work to do. Foremost, biking our winter gear and sleeping bags up to the post office to send home,

op-shopping for summer wear,

by thrift and by chance,

and obtaining some US dollars for Timor.

It’s been a strange time in Darwin. It’s almost a segregated town, at least from an outsider’s view. There’s mob here that are not Larrakia people, who have come to Darwin from remote communities, or other parts of the country. Then there’s mob here that have big grief stories, who have turned to substances that bedevil them, which in turn keeps them exiled from their respective communities. These troubled street folk are treated sternly, sometimes viciously by settler shopkeepers, security guards and managers of supermarkets across all ethnicities. Visitors are warned by locals not to engage with blackfellas looking for coin, smokes or grog, so they are often ignored or avoided. Ben told us, “It takes about two weeks for newcomers to Darwin to become racist.” On the street you have drug and alcohol affliction, and then in the board rooms, shrewd tactics of corporate power use Aboriginal people and culture to both aggregate and make-look-civil the destructive extraction of Aboriginal resources, for empire. This reckless corporate mining company, for example, dons Aboriginal art in its foyer as false flags of progressiveness and care.

It’s easy for blow-ins to jump to conclusions about a place. We understand the problems here are complex because they are generational and because western civilisation is a sophisticated propaganda machine. Drugs and alcohol have different impacts in differing cultures, depending on peoples’ approaches. Clearer for us now, is how industrial grog and industrial mining come from the same mythos of greed and subjugation, and no good culture can come from these things. These activities done in an indigenous way would require ceremony and ritual, where over-extraction or over-consumption are not present because of the gratitude and connection these cultural expressions elicit. Indigenous activities done at a scale of bioregional accountability can never be systematically or globally harmful, can never produce man-made mass suffering. Suffering is an ordinary and sometimes necessary part of life, it is a great teacher, but not on the scale industrialisation causes. This, we’ve found, is a critical difference between industrial and indigenous ways.

Towards the end of our time in Darwin, we returned to the Fishermen’s Wharf and were reminded to speak to Saltwater Mother Country, a quiet ritual we often do down south. Before we fish at a place, we speak our intention for coming. “We’ve come to catch food for our family tonight, and we will only take a little of your abundance.”

Fairly shortly after we arrived and acknowledged Mother Country in this way, Woody’s rod started bending,

and the youngtimer began pulling them in.

Four beautiful bream (from $1.50 worth of chicken) made our dinner on the second last night.

Patrick’s attempt to add to the bag saw him bring in several little critters and this Moon fish, which is apparently good eating though, due to its size, he released it.

We are leaving Darwin with much gratitude for what Country and the people have taught us here. To slow down. To accept the stickiness. To acknowledge it takes time to adjust to new places and ways. To be with the disappointment of flying and not crewing on a boat. To better understand the life-wreckingness of industrial substances and extractions. To not reduce complexity to a facile judgement. To further behold the propaganda and hubris of this nation and its subservience to empire. What can a family do in the face of all this? Eat meals together, ask questions, meet people and find out our commonalities with them, and bring more love into the world.

We didn’t come to Darwin to catch trophy fish or take in the club life. We didn’t come for the burnouts of Supercars and military jets. We didn’t come to consume Aboriginal art or Aussie-ised Asian food. We came as pilgrims on an adventure seeking nothing famous or big, rather for the accumulations of everyday magic, provided by the goddesses of small things.

Thank you, Dear Reader, for continuing to follow our journey. We feel tremendously supported by our community back home, the community of subscribers here, and the community we’re meeting on the road.

From pandemic to war through a geo-ecological lens (with David Holmgren)

This week we spent a few hours with co-originator of the permaculture concept, David Holmgren, at his home Melliodora in southern Djaara peoples’ country. Our conversation ranged from the personal to the geopolitical, dark green ecology to bright green billionaires, pandemic constriction to war construction, the role of energy in shaping culture to the gaming of the progressive liberal media.

Thank you Su and David for welcoming us into your home, and thank you Miles for once again sharing your two-camera craft and expertise.

We welcome your comments (below), and your support (here). A hearty thanks to those who contributed financially in the past weeks to make this video possible.

References:

Permaculture: Principles and Pathways Beyond Sustainability by David Holmgren

Future Scenarios by David Holmgren

Crash on Demand: welcome to the Brown Tech Future by David Holmgren

History from the future: a prosperous way down by David Holmgren

RetroSuburbia: the downshifter’s guide to a resilient future by David Holmgren

Shades of Green (Lifestyle) Awards Reflection

Lewis Mumford Wikipedia page

Sébastien Marot

Robert Newman’s History of Oil

Hearing you slowly (nuance in an age of tyranny)

Tyranny is the deliberate removal of nuance – Albert Maysles

As an antidote to this era of click-bait media, ‘noble lies’ journalism, feedback refusal and aggregating censorship, we are beginning a series of long-form interviews, collating the stories of people who are the experts of their own lives. And we’re sharing these stories for an audience who like their media slow, nuanced and raw.

So, here are the first four voices in the series Hearing you slowly. Thank you Trace, Marita, James and Dianne for sharing your stories. We hope you enjoy these episodes as much as we have enjoyed producing them, assisted by Miles, whose camera craft, eye and collaboration brings a special quality to this series.

In the first of these stories, children’s book writer and illustrator, Trace, speaks of her Covid experience as someone rendered health-vulnerable in large part by being overprescribed antibiotics as a teenager. She offers many insights for a post-pandemic world.

Permaculturist and grandmother, Marita, describes her youth raised and educated in Germany, and why Covid segregation has triggered her both emotionally and politically.

Highly vaccinated traveller, father and solar energy consultant, James, despite being advised not to get the Covid injections for medical reasons was not able to get a medical exemption. His personal story shines a light on the the erosion of the patient-doctor relationship and of civil liberties more broadly.

And last but not least, retired elder Dianne tells the courageous story of nursing her Covid-ill parents while she was also suffering from the illness, and offers us the gifts and wisdom she gleaned over the past two years.

We heartily welcome your generative comments and encourage your respectful feedback. If you haven’t already subscribed to our blog, please do so to be alerted to forthcoming episodes. We require a minimum of $250 to produce each story, so if you wish to support our work and are in a position to do so, please click on the Support tab in the top right of this page. Much gratitude to everyone who has already contributed financially and otherwise.

Next up, we’ll be bringing you a conversation with permaculture co-originator and futurist, David Holmgren, speaking on this present moment from his unique lens, as part of our commitment to bringing you diverse stories from the heart, the gut and the mind.

Sending much love, nuance and solidarity into your day,
Artist as Family