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Artist as Family’s Book of Neopeasantry (fourth excerpt – the accident)

November 3
Meg

It’s Bloodthorn’s birthday and he doesn’t want to go to school. What he really wants to do is go fishing. His mum sends a text to ask if Blackwood is up for some lake time and a text in response is enthusiastically sent back.

It’s a work day for me, so while the boys spend the morning first making yabby spears and then catching their bait in the creek, I sit at the kitchen table with my laptop and a pot of nettle tea. At lunchtime I fang up the street on my bike to go to Himalaya Bakery where I buy two cinnamon fruit scrolls for Bloodthorn’s birthday. I’m imagining candles and singing and sharing the scrolls between the four of us. I put them in my pannier and head home. On my way down the hill, a car overtakes me and then suddenly turns into me and I fly over the back of the vehicle and end up on the bitumen. People come running towards me but the driver doesn’t get out of the car.

‘You nearly fucking killed me!’ I yell, banging on the side of the car, where I landed on the road. ‘You nearly fucking killed me!’

The driver gets out and our two lives adjoin. We are women together, no longer just car and bike rider, flesh meeting metal, but women. One howls on the ground, one tries to be helpful. Are you OK? Are you hurt? Do you need an ambulance? What do you need? Can you point to where it hurts? Can I get you anything? Do you need some water? Would you like to take your helmet off? Can I help you stand up and move off the road?

I ask her if she can please rub my back while I breathe, to just give me a minute so I can assess the extent of my injuries. My clarity and assertiveness surprise me. I keep crying while I try to gauge the damage to my body. One of the people who’s gathered around lifts up my bike and stands with the others as witness while we two women work through what happened and what needs to happen.

She says she didn’t even see me – not down the hill and certainly not when she pulled in front of me. Her name is Jo and she has just had a session with her chiropractor. She says she was feeling light headed after her appointment and about to faint so she pulled over.

One of the gathered men passes me my bag that had flung out of my front basket and I take some squirts of Rescue Remedy from the front pocket. I offer some to Jo. Zero goes with me everywhere in my bike basket. But today he opted to stay on his mat by the fire. I cry harder as I think about my little companion and what could have happened to him.

I need to go home. Jo keeps telling me how sorry she is and asking if she can do anything, but I can’t think of anything. I just want to be home with Patrick. Jo and I hug goodbye. I thank the people who came running and I cry all the way home, the whole left side of my body aching, my bike squeaking and rattling, my cries feeling ineffectual as I can’t breathe deeply enough because it feels like my ribs are sticking into my lungs.

Patrick hears my cries when I come home and comes straight out. He runs me a bath with Epsom salts and I lay on my side feeling smashed about but so grateful for the quiet and stillness. I can’t stop thinking about my mother. Later, after Patrick has helped me out of the water, I phone her to let her know I am OK.

 

November 3
Patrick

The day of the grateful living. Meg hobbles in from emptying the house wee bucket onto one of the citrus. “There might be a frost in the morning,” she says, holding herself gingerly as she steps through the front door. I go out and find the frost covers under the house and place them over the potatoes.

Potatoes can handle winter temperature soils, but not frost on their leaves. We plant them in August and cover them as they grow. I’m pleased they haven’t got sick with all the rain of spring. The tomatoes are already hothoused in their rows and doing well enough, considering the low temperatures. The bees have lost hundreds of workers. It happens every year. After a warm spring spell they convert their hive to a summer thermostat, then the following week the temperature plummets and we head back into winter. This is the time hives get a major set back or don’t make it at all because their winter honey stores are depleted and it’s too cold to go out and forage.

I dig up several comfrey roots in the garden. Wash them, discard the leaves in the poultry run, and pulverise the roots into a crude paste with a mortar and pestle. Meg is lying on the couch in considerable discomfort. I gently apply a large patch of paste to her left ribs and wrap a bandage around her torso to hold the poultice. I am so thankful this is the extent of the injury. A moving car, a driver not present, a bicycle rider. Aye yai yai.

Blackwood, off his own back, cooks frittata for dinner. In reading the situation he acts with resourcefulness and care. Using our duck and chicken eggs, gifted broccoli from one of the generous Forest & Free parents, Meg’s raw milk cheese and pepper berry from the garden. We eat the delicious creation our ten year old fashions upon the family hearth and we honour the food, its origin stories, and life herself with a thick flow of gratitude for all that sings and lives.

~

Stinging nettle for arthritis and allergies: neopeasant medicine food series

Patrick speaks to some of the virtues of Urtica dioica – the common stinging nettle – and how we use this generous and powerful medicinal plant as both food and medicine.

The more we interact with the living earth – the gifts, tonics and salves that come from intimate, walked-for and cultivated biomes, which we are participants of – the more we merge with Grandmother Gaia and Mother Country. This is the gift of true medicine.

How do you use nettle? What common complaints does nettle heal for you? What do you bring to nettle? We’d love to hear your experiences with this oldtimer medicine plant.

Collective preparedness

Back in 2018 Artist as Family was asked to be involved in an art event called Pandemic at Arts House in North Melbourne. The exhibition, coordinated by artists Lizzy Sampson & Asha Bee Abraham, was one of a number of Refuge events centred on where art meets emergency.

Artist as Family’s role was to address the topic of Collective Preparedness. A dinner was held and Patrick joined a Médecins Sans Frontières field coordinator, a herbalist, an epidemiologist, a Melbourne Uni outbreak forecaster, an Indigenous Futurist, a medical ethicist, and a human rights academic as one of eight Sanatorium Hosts.

Photo: Lizzy Sampson

This was one of the questions he was asked:

What do you do individually and what should we be doing collectively to prepare for the future?

And this was his reply:

[We are] learning ever more knowledges that decouple our household further from the monetary economy and help model ecologically focussed and resilient communities of place. [We are] re-establishing economies that make returns to people, biomes and the future.

Patrick took some talking point objects and brews with him. Our hand-made hunting and fishing equipment, hand carved tools, medicinal mushrooms, shade-dried herbs, Meg’s fermented mistress tonic, elderberry syrup, and our hawthorn fruit leathers as our walked-for Vitamin C, “fermented by the sun.”

Photo: Lizzy Sampson

Nearly two years later, we find ourselves no longer in an art event, no longer in a dress rehearsal, but actually cancelling house and garden tours (today’s was again fully booked), cancelling visitors, volunteers, public talks, play dates, community meetings and events, and basically every social hang. Today we also cancelled all future bookings for our Permie Love Shack. A first known case of Coronavirus, albeit still unofficial, has landed in our small town.

Things have been moving pretty fast over the past two weeks and we’ve been following the speed of the Coronavirus pandemic closely. However, this morning when a friend sent a link to Coronavirus: Why You Must Act Now, we decided we wouldn’t wait for our leadershipless leaders to finally recommend everyone socially distance themselves. After reading the article we feel it is a social responsibility to act now, for the sake of health-compromised people and the health system more generally. There will be medical shortages, and therefore those of us who are prepared and have good health must step back from services and equipment that will be vital for those at greater risk.

Today we are pressing grapes to make wine, stewing and bottling apples, quince and pears, chopping and bringing in firewood, making bread and pancakes and pickling gherkins.

Photo: Michal Krawczyk

We do these things as we always do them, but now with a greater sense of urgency and intent. Our non-monetary home chemist will keep us as well as we can be.

Photo: Michal Krawczyk

Several weeks back, after the bushfire crisis, we were in Melbourne to speak as part of another art-meets-emergency event, Earth: A Place of Reconciliation, a Reconciliation of Place. Listening back to that talk is a strange thing now, as world events race across our local places and intersect with our local lives. One crisis follows another. The next will be another global recession.

Innumerable well-meaning folk have said to us over the years, “When the shit hits the fan, we’ll be knocking on your door.” While this comment is perhaps supposed to compliment us, it actually always makes us feel vulnerable and angry. The comment isn’t “we can see the resilience, economic logic and environmentalism of what you’re doing, and we’re also going to get on with our transition before the shit hits the fan.”

It’s time we all share in the responsibility of the predicaments of our time. We’ve been advocating for years decoupling from the Capitalocene before affluence-descent sends smug Modernity into chaos. Those luxurious days are numbered. Speaking of luxuries: five years of using family cloth, and these little op-shopped squares of soft flannel cotton are still going strong!

We’ll keep blogging in this time of social distancing and keep our sharing going digitally. We’re looking forward to honing our hunting, sewing, repairing and foraging skills. Reading all those books we haven’t had time for. Carving new objects, fixing tools, sowing more veg, and generally resting. We’ll prepare another post on what we’re up to shortly. You might find yourselves having more time for things you’ve been meaning to do too. We hope so. In grief there is learning, there is praise, there is renewal and opportunity.

We hope, Dear Reader, while this pandemic is still largely an abstract and mediated phenomenon, you are not vulnerable, not in despair or panic, but are preparing as adults in any capacity to meet this global predicament, remaining eternal students within this shapeshifting world as the Anthropocene matures deeper into systemic crises and calls on our adult selves to step forward.

Much love, community-immunity, social warming and joy,
Patrick, Meg, Woody and Zero