Blog

A selection of our writings from 2009 to the present. If you'd like to keep up to date with our latest posts, please subscribe below.

Ecological participation (guiding child-led learning in a forest)

 

Greetings from wet wintry Tree Elbow.

Today we are sharing both audio-only and video versions of our recent online session, Ecological participation (guiding child-led learning in a forest). Once again the format is a one hour presentation by Magpie and Blue Wren (with cameos by Woody and Lilly Pilly), followed by 30 minutes of goodly question time.

Here is the audio-only version,

 

and here is the video.

And speaking of ecological participation, we also share here two recent videos from Woody’s channel, Making venison jerky and Chopping wood with a Viking-made splitter.

As always your comments and responses are most welcome, and if you’d like to book in for either of the next two online sessions, you can do so here: Community sufficiency – living within gift, non-monetary and subsistence economies and Joyful resistance – online house and garden tour (the nuts and bolts of our systems).

Sending you rainy, wintery love from our hearth,
Artist as Family

Men’s business – rites of passage and the maturation of men (with Yin Paradies and Patrick Jones)

 

We hosted our friend Yin Paradies at Tree Elbow over the weekend and before Yin left he and Patrick recorded a conversation focussed on their encounters within the ecology of men’s business.

Whether experienced in this subject or entirely new to it, we hope you enjoy their yarn on rites of passage, sacred economics, personal accountability, ‘fallen patriarchy,’ and reclaiming indigenous and peasant masculinities.

Listen (1hr, 6mins)

 

In their conversation Yin and Patrick refer to a previous dialogue Patrick had with Yin and his partner Victoria: Bridging, on the way back to indigeneity, and Patrick mentions drafting an annual ceremonial calendar as the next stage of our community’s revillaging.

Thanks for reading and listening! As always Dear Subscriber, we enjoy your feedback, comments and questions.

Bridging, on the way back to indigeneity (kinship, initiation, druidry, homesteading, wisdom and eldership) with Yin Paradies and Victoria McKay

 

Make yourself a cuppa and settle in for our next long-form yarn with Yin Paradies and Victoria McKay from Anam Cara Homestead.

Both Yin and Victoria invite us to be on the bridge that spans between modernity and what they call our ‘primal’ selves, and to find and nurture fellow travellers in that place of reclaiming.

We hope you enjoy this conversation as much as we have.

Listener’s note: At one point the audio goes a tad crackly in the conversation but it doesn’t last long.

(Audio duration 1:11mins)

 

And, here is the video.

 

Reculturing agrarianism (with Silvia Bottinelli)

 

Patrick had the pleasure of speaking with art historian Silvia Bottinelli this morning about her research on the politics and aesthetics of food sovereignty, the origins of her work, and some of the challenges and cultural renewal taking place in art practices that include agrarian nodes.

In a previous video, we offered our contribution to her book, Artists and the Practice of Agriculture, which constitutes an interview Silvia conducted with us a few years ago.

In today’s conversation, Patrick begins by asking Silvia about her origin story into this research.

You can either listen in (60mins),

 

or watch their conversation.

Cover pic by Jordan Osmond from Happen Films.

June 30 (a poem written on the KM Dharma Kartika V ferry, in the Flores Sea)

 

Listen to or read Patrick’s latest poem (3 mins)

 

I was once married
on this same day
27 years ago

I hid in a room
drinking whisky
as the guests arrived

A boy
not yet ready
to grow up

From this embarrassment –
going along with a thing my heart didn’t sing with –
I made a pledge to my adulthood

Guilty in festivity
I did not want to hurt
the mother of my first child

I loved her as an artist
though, try as I did
I couldn’t love her more

I was 27 years old
it was the end of the financial year
and I had no money to declare

I did grow from that day, and later my son
Zephyr, was born in the house I built
with my own poet hands

I cut and hammered and sang
and together his mother and I
crafted a beautiful house

But I wounded her then –
and my three year old boy –
when I moved into the next town

From this tiny dwelling I began to rebuild
my life, while fighting a wounded mother
for the right to see my son

Slowly, I better understood how my mother-wound
and my mother’s big mother-wound
were significantly shaping my life

And how as people our wounds
cross into others until there is nothing left
but either madness or acceptance

I came to choose acceptance
as my love grew for the mother
of my second son, Blackwood

But as this love grew
so too the wounds of Zephyr
fed radically into his youth

I eventually sat still in Fear Country
underworlding in late initiation
as my eldest was incarcerated

First in youth correction
then in adults prison
and grief thrashed me, mercilessly

Wave after wave broke me down
for the crimes of the state
and my own son, combined

At first I reacted strongly
to this, and to his mother’s blame of me
though eventually I came to own it

Conscious of how that old wound
made by the hiding-behind-the-whiskey boy
whom she married, lived on

It took me many belligerent years
before I saw my unwitting promotion
of her pain, and others

I focussed on justice
arrogantly, from a place of hubris
instead of compassion

~

Today, I am a holding uncle
of teenage boy initiation
and men’s wounds in my community

I no longer want to serve
the game of right and wrong
or, ignore my shadow world

So, this is an anniversary poem
for all the fine suffering
that has grown me up

And a poem for my two sons, and others
who might unwittingly wound others
from the source of their own wounds

I will wound again –
this is the human experience –
though more conscious my wounds lessen

For when I am conscious
I too am worthy
and I too can find peace